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Th​é​orie de l'Ensemble

by Mélanie CENTENERO

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1.
Intro 01:11
2.
Translation 04:47
3.
Empty Space 05:51
4.
5.
Kapla 05:43
6.
Entropie 06:22
7.
Left messages Hidden thoughts Gone into a desert They can't go back alone Dust, sand, rust colour Hand to hand They'll travel and then fall apart Chorus : Dust from my skin Gone with the wind Shadows of my thinking Escape and run away to survive Unsaid words Hidden motions Slip through their pores Evaporate in the air Maybe lost for ever Chorus The clouds gliding over us Will disappear or fall in Cold ice Rains (The landscape's changed) Will thus turn into Pains.

about

"Théorie de l'Ensemble", first album of Mélanie Centenero, draws a bridge between Mélanie's former scientific life and her more recent musical journey.
Most track’s names are based upon scientific notions or concepts, also because of the metaphorical resonance they can show.
"Théorie de l’Ensemble" relates the feelings and situations that relationships can lead us to, in an eclectic combination of science and jazz.

credits

released November 1, 2022

Original compositions : Mélanie Centenero
Arrangements : Antoine Brunet, Thomas Salvatore, Victor Gonon, Mélanie Centenero
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Keyboards : Thomas Salvatore
Guitar : Victor Gonon
Bass : Antoine Brunet
Drums : Mélanie Centenero
Cello : Louise Debaecker
Lead Voice (Crumbling) : Mélanie Centenero
Choirs : Louise Debaecker & Mélanie Centenero
...with the kind participation of Jeanne Pourrinet
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Recorded at Bopcity Studio
Mixed by Hugo Bracchi
Mastered by Simon Lancelot
Visual and graphic work by Anne Louis
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Special thanks to all crowdfunding contributors that supported me, and allowed me to fully achieve this album. / Un remerciement tout spécial à tous les contributeurs de la cagnotte qui m'ont soutenu, et m'ont permis de réaliser cet album dans son entiereté.

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about

Mélanie Centenero Paris, France

Mélanie débute à 4 ans par le piano classique, et commence la batterie à l’âge de 12 ans.
A 23 ans elle part se former en jazz à l’American school of Modern Music de Paris, puis à l’école de batterie Emmanuel Boursault. Aujourd’hui, son jeu s'inspire d’influences jazz, fusion ou rock telles que Bill Stewart, Gary Novak, Gavin Harrison ou plus récemment Raphaël Pannier. ... more

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